Review: Reputation by Taylor Swift

Taylor Swift released Reputation in November of 2017. Having listened to the album in its entirety over 250 times since then, I feel qualified to share my detailed thoughts with the general public. I also recently found out we’ve got the same Enneagram type, which is probably irrelevant but still kind of cool.

“But Megan, Taylor is problematic/a snake/playing the victim/failing to use her platform as a role model for young women to promote social and political issues that matter to herself and her fans!” I know. She knows. Nearly all the promotional materials for this album – not to mention the “Look What You Made Me Do” music video – explicitly address the fact that she has heard all of these criticisms. And she doesn’t really care. Or maybe she does, but wants you to think she doesn’t? Unclear.

The bulk of this review – like the best parts of Reputation – isn’t about the (valid) criticisms of Swift as a person. Instead, it is an in-depth, track-by-track analysis of the album, focusing on the music and, to the extent possible, looking past the baggage that inherently comes with Taylor Swift.

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